Anıt / Kent Simgesi
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España obtuvo en 1968 el templo de Debod, en agradecimiento por la ayuda prestada en el salvamento de Abu Simbel. Reconstruido y abierto al público desde 1972, el templo de Debod constituye uno de los pocos testimonios arquitectónicos egipcios que pueden verse completos fuera de Egipto.
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Egyptian Temple in the city center, espectacular view during the sunset
In addition to beeing an astonishing reconstruction of an ancient Egiptian Temple, it has one of the best views in Madrid, specially for sunsets.
Ancient Egyptian temple donated by the Egyptian State in 1968 as sign of gratitude for the help provided by Spain in saving the Abu Simbel temples.
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“The Royal Palace of Madrid (Spanish: Palacio Real de Madrid) is the official residence of the Spanish royal family at the city of Madrid, although now only used for state ceremonies. The palace has 135,000 square metres (1,450,000 sq ft) of floor space and contains 3,418 rooms. It is the largest functioning royal palace and the largest by floor area in Europe.”
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“Top contemporary art museum in Madrid. Always featuring interesting activities and concerts ”
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“It is widely considered to have one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, and the single best collection of Spanish art. ”
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“A park to chill, meet friends, lay in the grass where you can see and listen people improvising music by the lake, where you can walk for ages though nice and clean pathways... you can algo hire a bike and discover secret and beautiful park corners ”
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“With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection. A competition was held to house the core of the collection in 1987–88 after Baron Thyssen, having tried to enlarge his Museum in Lugano(Villa Favorita), searched for a location in Europe. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century. ”
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